Relevance onstage. Conversation offstage.

There is a question I’ve been asking myself. It comes up more and more as I continue my adventures in theatre. The more I work on shows that are socially relevant and newer (something that generally, not always, goes hand-in-hand), I wonder: Why are there so few shows being performed that speak to the issues of today? Why do we as audiences and theatre-makers alike continue to revere the elder works? Please do not take any of this to mean I dislike more traditional and older shows; to this day, Gypsy remains my all-time favorite musical and I’m working on a concept for Romeo and Juliet. Continue reading